两性关系的“被和谐”

汉语言文学论文编号:HY159  论文字数:9524,页数:12

目　　　　录

前言 3
一、两性的“和谐”与“被和谐” 3
二、婚姻关系中两性的“被和谐” 4
（一）以家庭责任消解情感的伤痛 4
（二）个人精神的放逐 6
（三）男权的进一步强化 7
三、社会中两性关系的“被和谐” 8
（一）集体道德沦陷 8
（二）被集体利益所“和谐” 8
四、结语 9
参考文献： 11
致    谢 12

摘    要

 铁凝的《笨花》一改以往作品给人无男、缺男和弱男的印象，把“男性”和“女性”同时置于社会生活中，并且给予各自足够的表现空间；在故事兵荒马乱的时代背景下，铁凝细腻地营造出一种安详宁静的乡村氛围。这些并不意味着铁凝已经放逐了一直以来对两性写作的关注，不再将女性命运和女性生存状态作为创作着力点。实际上，铁凝通过书中描绘的两性看似和谐的状态，深层次地展现了中国社会女性在男权文化，特别是在传统文化制约和封建意识束缚下的逐步妥协。由于历史和现实的推动与强化，大量女性已经不自觉地走上了以压抑自身的情感求得家庭社会和谐的道路。
 关键词:女性意识；两性关系；“被和谐”
 Abstract
 
 
    Tie Ning's Benhua places "male" and "female" in social life in the same time, and give each enough space for expression, changing the impression of no man, missing men and weak men in the past works. The story describes a peaceful atmosphere under the time of war. It doesn’t mean Tie Ning abandons her being concerned about gender writing, focusing on the fate or living condition of women. Actually, the author wants to show, in male culture, the real existence of seemingly harmonious that women in Chinese society, especially being conditioned in the traditional culture and being fettered by feudal ideology. Under the push of history and reality, a lot of women have been got used to sacrifice own feelings for the harmony of families and society.
 Key words :feminism; gender relations; being-harmonious