周星驰电影热反映的当代文化心态

汉语言文学论文编号:HY105  论文字数:6347,页数:07

目  录

前 言 …………………………………………………………………………………1
一、“反英雄心态” …………………………………………………………………1
二、“无厘头——狂欢心态” ………………………………………………………2
 （一）什么是无厘头喜剧…………………………………………………………2
 （二）笑在狂欢中产生……………………………………………………………3
 （三）无厘头、狂欢的“心理按摩”作用………………………………………4
三、“草根心态”……………………………………………………………………………4
结 语…………………………………………………………………………………………5
参考文献 ……………………………………………………………………………………6
致 谢…………………………………………………………………………………………7

摘  要：周星驰自1988年在影坛崭露头角之后，至今已主演了50多部电影，开创了别具一格以“搞笑”为能事的无厘头影片，而这股“无厘头”风在几年内就迅速席卷了全中国，并且势头强劲，成为平民文化的典型代表，发展为一种当今不可忽视的文化现象，引起了人们广大的关注和讨论。在本篇论文中，我将从当代文化心态上入手，运用后现代主义、解构主义和前苏联巴赫金的狂欢化诗学的理论，并结合周星驰电影中的人物形象、艺术思维等方面来分析，力求得出周星驰电影反映出了当代“反英雄心态”、“无厘头——狂欢心态”和“草根心态”三个方面的文化心态。
 
关键词：周星驰；无厘头；解构主义；狂欢化；文化心态
 
 
 
Stephen Chow movies are hot reflect the contemporary cultural mentality

Abstract：After making his mark in moviedom since 1988, Stephen Chiau(Zhou xingchi) has played leading parts in more than 50 movies, creating a unique style of comedy-oriented  Wulitou(non-logic)Movies. And in a few years this " non-logic" wind quickly spreaded throughout China, with strong momentum, at the same time Cultural civilians became a typical representative of today's development as a significant cultural phenomenon causing the majority of people's concern and discussion. In this paper,I will be on the current culture mentality start ，employ postmodernism, destructionism, and the thoery of carnivalization poetics of former Soviet Union’s Bakhtin, together with images and artistic thinking in movies casted by Stephen Chow to elicit “anti-hero”, “non-logic cannibalization” and “grass-root ” cultural psychology of the day.
 
Key words: Stephen Chow；Wulitou(non-logic)； destructionism；carnibalization；cultural psychology