翻译与评论：后女权主义媒介文化——情感组成因素开题报告格式模版

本科毕业设计（论文）开题报告

题目： 翻译与评论：后女权主义媒介[题目用汉语，宋体，小二，加粗]

 文化——情感组成因素
 
 
 [该页全部为单倍行距。从页顶到thesis proposal处，三行空格。]Thesis Proposal[Times NewRoman，二号加粗，居中

[三行空格]Translation and Comment: Postfeminist Media Culture-- Elements of a Sensibility[Times New Roman，三号加粗，居中]
(空格，一行)
Wang Xiangyu[New Roman，三号加粗，居中]
(空格，四行)

                   Grade 2006
                   English，0612010322
[Times New Roman，小三号加粗，居中]

1. Significance and Purpose[Times New Roman，四号加粗。此页到末页，全部用固定值，24磅。]
     In modern times, Postfeminism is increasingly overt as a theoretical platform. Recent academic researches have been devoted to the influence of postfeminism upon mass culture, film and media studies, or postfeminism impacted, facilitated, and highlighted by media, which are always among those controversial and contested intergenerational issues. This article, written by Rosalind Gill from London School of Economics, is published in European Journal of Culture Studies. Through translating this article, the author aims to conduct a detailed research into postfeminism, with a view to achieving an in-depth understanding of it, which in return, can be used to analyze contemporary cultural products. Moreover, the process of translation can also promote the present author’s translating and comprehension skills.  [内容部分用Times New Roman，小四号。]
2. Main content[Times New Roman，四号加粗。]
 The article Postfeminist Media Culture: Elements of a Sensibility has attempted to summarize the elements of a postfeminist sensibility. The term postfeminism has been a preva lent word for years and people use it a lot, though, with little agreement about what is postfeminism, or knowing what features postfeminism. With a view to changing this status quo, the author, by writing this article, wants to give a specific definition to postfeminism with media forms being an auxiliary tool. By claiming that postfeminism is a sensibility, the author does not cling to several popular films themed with postfeminism alone, but resorts to varieties of other media forms, such as talk shows, lad magazines, female literature, as well as advertising, in the hope of making postfeminist media culture known to a larger number of reading public. On balance, there are two major parts in the thesis: 1. Translation of the article which corresponds with Introduction part. 2. A comment by the author on postfeminist sensibility.
   
Key words（小四号Times New Roman，加粗）: （冒号）feminism; gender; media; neoliberalism; postfeminism（小四号Times New Roman，关键词之间用分号分隔）

Appendix
Outline
[Appendix和Outline两个词皆用Times New Roman，四号字体，加粗。Outline一词需居中。]Thesis statement:[Times New Roman，小四号字体，加粗] Postfeminism is best understood as a distinctive sensibility, and there is a connection between this sensibility and contemporary neoliberalism. Through the translation, the theory relating to postfeminism can be used to guide the research about postfeminism in China. （此部分为一句完整的话语，最能概括论文的中心意思，需简洁明白，切中肯綮，Times New Roman，小四号字体）

1. Translation of the article
 1.1 Introduction
 1.1.1 Conception of Postfeminist Media Culture
 1.1.2 Demonstration of the utility of the notion of postfeminism as a sensibility
 1.1.3 The Significance of researching Postfeminist Media Culture
 1.2 Elements of the postfeminism sensibility
 1.2.1 The notion that femininity is a bodily property
 1.2.2 The sexualization of culture
 1.2.3 From sex object to desiring sexual subject
 1.2.4 Individualism, choice and empowerment
1.2.5 Self-surveillance and discipline
1.2.6 The makeover paradigm
 1.2.7 The reassertion of sexual difference
 1.2.8 Irony and knowingness
2. Comment: The present author’s opinion on postfeminist sensibility embodied in media culture.